It’s Just You and Me Now, Sport: On “Manhunter: The Final Cut”
On a new cut of Michael Mann’s “Manhunter” opening in theaters to coincide with the film’s 40th anniversary.
On a new cut of Michael Mann’s “Manhunter” opening in theaters to coincide with the film’s 40th anniversary.
The filmmaker talks about The Little Prince, staying rooted in an increasingly digital world, and grappling with the ethics of AI.
Wednesday, July 18, is the 20th anniversary of our marriage. How can I begin to tell you about Chaz? She fills my horizon, she is the great fact of my life, she has my love, she saved me from the fate of living out my life alone, which is where I seemed to be heading. If my cancer had come, and it would have, and Chaz had not been there with me, I can imagine a descent into lonely decrepitude. I was very sick. I might have vegetated in hopelessness. This woman never lost her love, and when it was necessary she forced me to want to live. She was always there believing I could do it, and her love was like a wind forcing me back from the grave.
Chaz Ebert on how music and newspapers have shaped Chicago, and continue to do so.
It’s pure fantasy, and an immature one at that.
The third installment of Chaz Ebert’s Happy Place column recounts her experience of returning to the movie theater during the pandemic after a five-month absence.
A look at how Black men are exploring identity and history through horror television.
A tribute to the legendary American businessman.
A personal recounting of one of the coolest Chicago film events of the year.
Of course, two besties versus an assassin guild with high-speed action and comedic twists is hard to resist, so don’t.
A breakdown of our most anticipated films of this year’s Fantasia Festival.
A tribute to the star of Jurassic Park, The Piano, Event Horizon, Hunt for the Wilderpeople, and many more.
An interview with the Oscar nominee about the film role that changed everything for him.
A book review of a new exploration of David Lynch’s career … as an actor.
A pleasant enough eight-episode drama that more than looks the part without ever really challenging its audience.
An interview with the director of this week’s Remake and the classic Sherman’s March.
On three films from Karlovy Vary, including another ace Sandra Huller performance.