The Revolution Is My Boyfriend: On the Queercore Provocations of Bruce LaBruce
A look back on Facets Chicago’s three-day retrospective on the queercore filmmaker’s works to date.
A look back on Facets Chicago’s three-day retrospective on the queercore filmmaker’s works to date.
Michael Mann’s masterpiece hits differently given the recent drama at 60 Minutes.
When the movie is giving us time with its actual flesh-and-blood components, “Heart of the Beast” is consistently moving.
Boyle and his collaborators take a few jarring creative shortcuts and by-passes, but pull off most of what they attempt.
A preview of what’s to come at the latest edition of Chicago’s preeminent LGBTQIA+ film festival.
No, it doesn’t make any sense. But rehabilitating a selfish failure who’s finally ready to change feels so good.
Jane Schoenbrun has created a cinema that feels similar to a rallying cry.
A reappraisal of an action masterpiece on the eve of its re-release.
Four wide-ranging films playing Locarno.
A new 3D platformer drops to remind players what they love about the genre.
Another annual trip around the drive-ins of the Midwest, and the charms contained therein.
On Cronenberg’s auto-eroticism three decades on, and how it matches his career-long preoccupation with sex and death.
A reading of Christopher Nolan’s blockbuster as a commentary on the current state of America.
Mike Mills looks back on the broader context of his career and to ponder whether the kids are truly all right.
Ebenezer, spaceships, and Leonard Maltin mark our latest dispatch from San Diego Comic-Con.
Feels content to cycle through its hallucinogenic, albeit stylish, beats with the hazy remembrance of a dream.
A loving ode to a place that shaped Chicago film criticism.