CIFF 2026: Liz Here Now, Three Colors: Pan-African
On two indelible tales from the festival’s Black Perspectives program.
On two indelible tales from the festival’s Black Perspectives program.
“Possible Love” exists in this space of potential upheaval, devastatingly turning relatable human emotion into possible tragedy.
Elegantly told and rich in meaning, “Fatherland” is a beautifully derived piece of heartbreaking art.
It’s a project that clearly adores Highsmith and her elegant murders but doesn’t quite solve the mystery of how to replicate what she did so well.
Unafraid of executing its simple formula: Let the actors carry the film.
On three standouts from Chicago Film Festival’s documentaries section,
On three films from this year’s Black Perspectives program.
This latest dispatch covers a trio of award winners competing in Busan’s main competition.
Brilliantly sits at the intersection of documentary, narrative, comedy, reality TV and performance.
Three vital films from Busan International Film Festival.
A preview of one of Chicago’s best film events.
A look back on Facets Chicago’s three-day retrospective on the queercore filmmaker’s works to date.
Closing thoughts on this year’ NYFF, including a review of one of its best films.
A riveting feature and two insightful shorts mark our latest dispatch from the fest.
Trios of women and beleaguered screenwriters stud this first dispatch from South Korea’s film festival.
On the surface, it’s an adventure flick, but the story has spiritual and emotional depth that gives Tenzing’s life mission universal resonance.
Taken as a 10-part whole, it’s one of the most remarkable studies of the amplified rollout of fascism in film history.