
A True Sense of the Eerie, or Why I Love the Hell House Films
An ode to a great found footage horror franchise.
An ode to a great found footage horror franchise.
We’re giving the site back to Roger today. Here’s why.
The actor talks about the deep bench of acclaimed filmmakers he’s collaborated with, and working with Chicago actors for his own directorial debut.
Still the best comedy on television.
A review of the new game “South of Midnight”.
A tribute to one of the best of his generation.
The pressure of life-or-death stakes, paired with the unbeatable chemistry of each and every cast member, makes this series feel like lightning in a bottle.
Shankar’s take is a gleefully violent, high-octane action adaptation with a punk edge.
A tragic, albeit shallow, examination of a class that is at war with itself.
An interview with the groundbreaking filmmaker, one of the first major Black female voices in Hollywood cinema.
“The Bondsman” has a hard time making its demon fights seem, well, fun.
We look back at an underserved Atom Egoyan film as his latest, “Seven Veils,” hits theaters.
Films new to Netflix this month include Bonnie and Clyde, Psycho, The Age of Innocence, American Sniper, and many more.
Ignore the haters. The new Assassin’s Creed game is a good one.
The latest on Blu-ray and streaming, including some of the biggest family hits of 2024 and Criterion editions of Choose Me, Night Moves, and The Wages of Fear.
An interview with the director and co-writers of “Meet Cute in Manhattan.”
“MobLand” is familiar but effective.