Apple TV’s “Sugar” Reaches for the Stars in Grounded, Moving Second Season
A meaningful examination of loneliness in the modern age.
A meaningful examination of loneliness in the modern age.
“Voicemails for Isabelle” has a high emotional IQ, a romantic journey you’ll want to follow, and a real sense of the lunacy that makes life hilarious.
Nothing can stop this show from continuing to burn a relentless fire that you can’t look away from.
While I have no doubt a lot of this was improvised, I also get the sense that this was a “there are no bad ideas” production.
“House of the Dragon” finally begins to breathe some new life into the series.
While one‑dimensional family dynamics and an uneven final act hold it back, Hall’s anchored performance and Bravo’s atmospheric direction ensure the unease lingers.
The film is likely to poke, prod, stab, and sting at the ribs of its demographic until their hope for redemption runs out.
Often skews younger than its source material in ways that don’t really serve the larger story it’s trying to tell.
It’s all somehow smarter than it should be and just as funny as you’d hope. Watch at your own risk.
Big swings, big feels: a bloody good time.
Offers too many cliches to result in anything other than mediocrity.
“Star City” keeps its focus bleak, dour, and oppressive, and subsequently has some trouble achieving liftoff.
It’s a gift that Travolta made for himself and family, something he likely wanted to leave as a part of his legacy. That doesn’t make it a good movie.
Though its narrative is hampered by a shorter run, the series is funnier than ever.
Whether in Authentic Black and White or True Hue Full Color, “Spider-Man” has earned a unique place in this particular universe.
It won’t be the same size hit as “Big Mouth,’ but it’s a reminder of the talent of its remarkable cast.
Refreshingly more than just “Elder Things.”
The star power in the series is undeniable, but the true hero of the show is its craft.
Hauser and Reilly shine in career-defining roles.