
Life Sustained by Desire: Alain Guiraudie on “Misericordia”
A conversation with Alain Guiraudie about his career and “Misericordia”.
A conversation with Alain Guiraudie about his career and “Misericordia”.
“Side Quest” is an easy watch, but a forgettable one.
Every cameo is another brush stroke in the portrait rendered by “The Studio”: A collective middle finger to the system, sent with love.
The Ebert Fellows report from the True/False Film Festival.
To watch the fifth episode of Ken Burns’ “Baseball” is to see exactly what makes the sport great as a metaphor for the country.
The unbroken shots of Netflix’s hit crime drama are more than just for show: They hit at the emotional immediacy of grief and despair.
An interview with the director of the Elizabeth Olsen-led sci-fi drama.
“The Residence” is a comedy of manners and murder that nails scintillating satire to the White House walls, compelling us to step inside.
I walked away from “Happy Face” having mostly enjoyed the experience of watching it, but I couldn’t say I was smiling.
An interview with the director on bonding with the film’s ensemble cast, his approach to working with time, and the extraordinarily layered sounds of one last ballgame at Soldiers Field.
On three of the most out-there titles to hit this year’s SXSW Film Festival.
An interview with the star of The Actor, The Dutchman, Exhibiting Forgiveness, and Love Brooklyn – and that’s just recently.
Women continue to defy the age limits of Hollywood roles.
On three buzzed docs from this year’s fest.
An interview with the legendary Bruce Vlianch.
On three of the most-buzzed horror films from SXSW this year.
On three profile docs from SXSW on Marc Maron, Carl Lewis, and The Rocky Horror Picture Show.
Three of the more purely enjoyable films of this year’s SXSW are highlighted.