Matt writes: The College of Media at the University of Illinois Urbana-Champaign recently announced that the Roger Ebert Center for Film Studies will officially launch this year, with programming to begin in Fall 2022.
Every creator involved in Frankenstein has become a mad doctor themselves, each adaptation reflecting their particular obsessions and traumas.
A look at all the writers contributing to Women Writers Week 2020 at RogerEbert.com, #WWW2020.
Headline in the New Cat Times: “Cannes Film Festival Bans Feline Actors!” “Eek, how did I not see this before we got on the plane?” squeals Siamese beauty Nico, stretched out on her seat on Air Felix. “You were too busy preening in the mirror,” says her housemate Chubbs. “Well, your scruffy striped coat could use a little of that,” she snaps, her paws trembling with rage as she reads the shocking report.
A look at the different activation experiences that made fun for fans at this year's Comic-Con.
Our full slate of critics scheduled to attend Ebertfest 2018.
One of the most audacious American films from the 1960s is now available via the Criterion Collection.
A preview of the 54th New York Film Festival, including "Son of Joseph," "The Rehearsal," "Graduation," "Sieranevada" and much more.
A report from TIFF on three films, including the latest from Christopher Guest.
A review of HBO's new series "Vinyl," which features a pilot episode directed by Martin Scorsese.
A tribute to the late, great, unbelievable artist that is David Bowie.
A review of "Agnès Varda in California," the new box set from Criterion and Eclipse.
An interview with the director of Sundance World Dramatic Competition entry "Umrika."
A discussion with the RogerEbert.com writers on the legacy of Sophia Loren.
A brief history and reappraisal of John Cassavetes in light of the recent Criterion Blu-ray release of "Love Streams."
Barbara Scharres conveys her fourth day at Cannes, including screenings of "Saint Laurent" and "The Wonders," along with a press conference for John Woo's "The Crossing."