The writer-director’s acclaimed movies focus on nuanced, layered protagonists who don’t succumb to “Strong Female Character” cliches. A big reason his latest, Civil War, doesn’t work as well is it’s the first time he’s viewed one of his heroines so narrowly.
On some of the best craft of the year in film, including The Boy and the Heron, The Holdovers, All Dirt Roads Taste of Salt, Poor Things, and many more.
On some of our favorite performances of the last year in film.
A feature on the major question in each of the big categories after what we learned from TIFF, Venice, and Telluride.
A review of two comedies that premiered Friday night at the virtual Sundance Film Festival.
Great Movies
