Made in England: The Films of Powell and Pressburger
Self (archive footage)
Michael Powell
Michael Powell
Michael Powell Movie Reviews
Blog Posts That Mention Michael Powell
Reclamation Through Restoration: Thelma Schoonmaker Talks Michael Powell, Martin Scorsese and Peeping Tom
Berlin Film Festival 2024: Honoree Martin Scorsese Honors Powell and Pressburger
Criterion Collection Celebrates Powell & Pressburger’s A Matter of Life and Death
The color of scent
“Black Narcissus,” which electrified Scorsese
A Fond Farewell to Our Critic Monica Castillo
The Unloved, Part 149: Oh… Rosalinda!!
Karlovy Vary Celebrates Its 80th Anniversary with Tributes, Retrospectives
Locarno Film Festival 2025: Preview
Tribeca Film Festival 2024: 8 Highlights from This Year’s Event
Home Entertainment Guide: May 2024
Saving Film History One Frame at a Time: A Preview of Restored & Rediscovered Series at the Jacob Burns Film Center
San Francisco Silent Film Festival Highlights Unearthed Treasures of Film History
All 10 of Martin Scorsese’s Directing Oscar Nominations, Ranked
Bergman’s Hour of the Wolf: Another Look at an Underrated Masterpiece
Cannes 2023: Exciting Films at This Year’s Festival
Home Entertainment Guide: June 2022
Home Entertainment Guide: December 2021, The Criterion Collection
Cannes 2021: The Souvenir Part II, After Yang, Ahed’s Knee, Lingui
Thumbnails Special Edition: Bertrand Tavernier
Stirring the Pot: Glenn Kenny on His New Goodfellas Book
Book Excerpt: Made Men: The Story of Goodfellas by Glenn Kenny
Gaspar Noe on Climax, Accidental Allegories, Catastrophe Movies and More
The Best Current Source for Streaming Classic Movies is … Amazon Prime?
Comic-Con 2017: Interview with Brian Selznick about “Wonderstruck”
George Romero: 1940-2017
The Passenger: Bertrand Tavernier on “My Journey Through French Cinema”
Nitrate and Old Favorites: A Recap of the 2017 TCM Classic Film Festival
Split Personality: Two Cuts of “Raising Cain” Come to Blu-ray
Islam in Western Cinema, Part 1 – The Exotic Muslim, from the Exotic Land
Share Your Love: Author Danny Peary on “Cult Movies”
A farewell to Nashville film critic Jim Ridley: a civic institution and everybody’s friend
TV Review: “Flesh and Bone” Sings Familiar “Swan” Song
From “Tales of Hoffmann” to “Taxi Driver”: An Interview with Thelma Schoonmaker
Sundance 2015 Interview: Alfonso Gomez-Rejon of “Me and Earl and the Dying Girl”
Book Excerpt: Psycho-Sexual: Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin by David Greven
Cohen Media Group Brings Classic and Vintage FIlms to a 21st Century Audience
Brian De Palma’s Films, Ranked
Great Movies II Introduction
DGA hails “Slumdog Millionaire,” Ebert made a lifetime member
Vertigo
The Double-Best of the Year
CinematoGIFs: Living, breathing movie stills
Opening Shots: ‘Halloween’
Top secret leakage from my 2010 Muriels ballot!
I, Witness: A small masterpiece of voyeurism and projection
The great movies (almost) nobody voted for
Name That Director!
Temple of Doom: Bang a gong, sing a song
Why video games are indeed Art
“How to Die in Oregon”: It’s personal
The effect of effects
Film reveals what’s wrong at Ida B. Wells
Cannes all winners
Deborah Kerr: In Memory
Scorsese learns from those who went before him
The ‘Innocence’ of Martin Scorsese
