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Peter Fonda

Reviews

Boundaries (2018)
The Runner (2015)
The Harvest (2015)
Copperhead (2013)
3:10 to Yuma (2007)
The Limey (1999)
Ulee's Gold (1997)
Nadja (1995)
Killer Force (1976)
Two People (1973)
The Hired Hand (1972)
Easy Rider (1969)

Blog Posts

Features

Thumbnails 11/20/14

Remembering Mike Nichols; Kathryn Bigelow's experimental short; The rational wonders of Christopher Nolan; Interviewing Billy Wilder; RIP Leigh Chapman.

TV/Streaming

Corman's World: Monsters, mayhem & breast nudity!

"Corman's World: Exploits of a Hollywood Rebel" is available March 27 on online outlets via iTunes, Vudu, CinemaNow and Amazon. Also on DVD and Blu-ray.

For B-movie buffs, exploitation film aficionados, and midnight movie cultists, the grand finale of "Corman's World: Exploits of a Hollywood Rebel," will be every bit as exhilarating as that montage of forbidden kisses at the end of "Cinema Paradiso." Taking its cue from the liberating, rebellious high point of the Roger Corman-produced "Rock and Roll High School," in which P. J. Soles and the Ramones rock the hallways of Vince Lombardi High, it offers up dizzying bursts of quintessential Corman: cheesy monsters, fiery car explosions, Vincent Price, blaxploitation kickass, marauding piranhas and Mary Woronov with a gun.

Alex Stapleton's "Corman's World" celebrates the singular cinematic legacy of the "King of the Bs," who has improbably and regretfully fallen into obscurity. Observes director Penelope Spheeris ("The Boys Next Door," "The Decline of Western Civilization Part II: The Metal Years," "Wayne's World"): "If you ask a 20-25-year-old film buff, they won't know who he is."

This despite a career that spans almost 60 years and more than 400 films that Corman either directed or produced. But while his own name may be unfamiliar, many of the once-fledgling actors and filmmakers whom he nurtured/exploited are not: Martin Scorsese ("Boxcar Bertha"), Ron Howard ("Grand Theft Auto"), Peter Bogdanovich ("Targets"), Jonathan Demme ("Caged Heat"), Joe Dante ("Piranha"), Robert DeNiro ("Bloody Mama"), Pam Grier ("The Big Doll House"), screenwriter John Sayles ("The Lady in Red") -- all these and many more appear in "Corman's World" in new and archival interviews.

Far Flungers

Big Heart in a Small Town

As the quiet, fragrant hickory quality of the American Small Town fades into disposable plastic franchises, we find ourselves longing. For some, the American small town is the home they have been handed, being the home that they have chosen to keep. For some, it is the refuge away from the complications of city into a new simple life of inconspicuous rebirth. For many of us, however, the small town is an idealized yesterday that we mourn, nostalgic for a return to a black and white television show with Opie and Andy. The strange thing about Victor Nunez's "Ulee's Gold," is that it made me long to return to a hometown, an American small town, that I never lived in.

May contain spoilers

Ebert Club

#70 July 6, 2011

Marie writes: Gone fishing...aka: in the past 48 hrs, Movable Type was down so I couldn't work, my friend Siri came over with belated birthday presents, and I built a custom mesh screen for my kitchen window in advance of expected hot weather. So this week's Newsletter is a bit lighter than usual.

Ebert Club

#61 May 4, 2011

Marie writes: Doug Foster is a filmmaker and artist who produces large scale digital film installations that often play with ideas of symmetry and optical illusion. His piece The Heretics' Gate is currently on view at "Daydreaming with... St. Michael's" - an exhibition taking place at St. Michael's church in Camden, London. Note: Foster's piece first appeared at the Hell's Half Acre exhibition at the Old Vic Tunnels in London in 2010."The Heretics' Gate" draws inspiration from Dante's Inferno, the first part of his epic poem The Divine Comedy. A twenty foot high, arched screen and a thirty foot long reflecting pool, are cleverly combined to deliver a mesmerizing and strangely ethereal vision of hell at the central focus point of the church's imposing gothic architecture. To learn more, visit: Liquid Hell: A Q&A With Doug Foster.NOTE: The exhibition is the latest installment in renowned British music producer James Lavelle's curatorial and collaborative art venture, "DAYDREAMING WITH..." - a unique and visceral new exhibition experience, inspired by the desire to marry music and visual art. The goal is to bring together some of the most acclaimed creative names working in music, art, film, fashion and design.

Interviews

Dennis Hopper: In memory

Dennis Hopper's career began as an actor of alienation in movies like "Rebel Without a Cause." His career as a director began with "Easy Rider." His career as an art collector began went he bought one of Andy Warhol's soup can paintings for $75. His career as a drug abuser began at around the same time, and he told me, simply and factually, "I spent some time in a rubber room."

Movie Answer Man

The 6th Man: A Corleone Mystery

Q. In the Answer Man for Aug. 17, Phil Giordano asks about a Sixth Man in “The Godfather” who is never identified when the Corleones plan the execution of a police captain. The person he is wondering about is Rocco Lampone, played by Tom Rosqui, who is uncredited in the film, according to the IMDB. Mr. Giordano will remember the earlier scene in the film where Rocco executes Paulie in the car as Clemenza urinates outside (the “leave the gun, take the cannoli” scene).

Interviews

Samuel Z. Arkoff: In Memorium

Samuel Z. Arkoff, who in some ways invented modern Hollywood, died Sunday of natural causes in a Burbank hospital. The co-founder of American-International Pictures and the godfather of the beach party and teenage werewolf movies was 83.