Gladiator II
Director
Ridley Scott
Ridley Scott
Ridley Scott Movie Reviews
Napoleon
Director
House of Gucci
Director
The Last Duel
Director
Alien: Covenant
Director
The Martian
Director
Exodus: Gods and Kings
Director
The Counselor
Director
Prometheus
Directed by
Robin Hood
Directed by
Body of Lies
Directed by
American Gangster
Directed by
Kingdom of Heaven
Produced and directed by
Matchstick Men
Directed by
Black Hawk Down
Directed by
Hannibal
Directed by
Gladiator
Directed by
G.I. Jane
Written and Directed by
White Squall
Directed by
1492: Conquest Of Paradise
Directed by
Blog Posts That Mention Ridley Scott
Tom Skerritt on the 40th Anniversary of Alien, Collaborating with Ridley Scott and More
The Monster of Florence: Ridley Scott’s Hannibal on 4K Blu-ray
Ridley Scott’s 2017: A Look at the Filmmaker through “All the Money in the World”
Video Interview: Katherine Waterston, Michael Fassbender and Ridley Scott on “Alien: Covenant”
Double Vision: Tony Scott’s spirit possesses Ridley Scott’s “The Counselor”
Ridley’s Remake: “Alien” Through David’s Eyes
A.O. Scott on criticism: “This is not a progressive kindergarten.”
Amazon Premieres Most Challenging Drama Yet in “The Man in the High Castle”
TIFF 2015: “The Martian”
There’s Something About “Blade Runner”
Batman vs Charlton Heston!
Watching movies again. And again…
The new-er-est “Blade Runner”
Prometheus: Alien origins:The skeleton beneath the exoskeleton
The AFI Top 100
Alien in “3D”: Just one frame
Avatar 3D headaches: Look at this! Don’t look at this!
The End of “The Road”
Corliss’s perverse “Top 25 Horror Movies” list
Nite Owl versus the Bat Man
Happiness is a little daughter
“Blade Runner:” Great, but a little dull
Symbols more real than reality
Racing toward oblivion
Promethian panspermia
Roger Ebert’s Best and Worst Alien Movies
40 Shows We Can’t Wait to Watch in 2026
40 Movies We Can’t Wait to See in 2026
A Tale of Two Machines: On the First Season of “Alien Earth”
FX’s “Alien: Earth” Shatters Already High Expectations
Ossie Davis and Ruby Dee
Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More
What to Watch on Netflix: May 2025
Brian Tyree Henry Does His Best to Carry Apple TV’s Explosive “Dope Thief”
What to Watch on Netflix: March 2025
December 2024 Blu-Ray Guide: “The Wild Robot,” “Conclave,” “Alien: Romulus,” More
The Unloved, Part 131: Dark City
The Atlas of Cinema: In Praise of Adam Driver
The State of the 2024 Oscar Race
The Future Was Now Warps Through the Seminal Sci-Fi Summer of 1982
Peacock’s Those About to Die Should Appeal to People Counting the Days Until Gladiator 2
Jan de Bont on Flying Cows, Philip Seymour Hoffman and the Enduring Appeal of ‘Twister’
Pat Garrett and Billy the Kid Ride Again with Criterion’s 50th Anniversary Release
Dear Tim Cook: Be a Decent Human Being and Delete this Revolting Apple Ad
The 10 Best Start-of-Summer-Movie-Season Films of the 21st Century
I Need Your Magic: M. Emmett Walsh (1935-2024)
Oscar Predictions 2024: What Will Win This Year
30 Minutes On: Dune Part Two
Jean-Pierre Jeunet Isn’t Anything Like Amélie, but He’s Trying
Oscar Predictions 2024: What Will Be Nominated This Year
The Return of 70MM
It’s Down to Two People Having Respect for One Another: Matthew Brown on Freud’s Last Session
The State of the 2024 Oscar Race: The Fall Festivals Leave Burning Questions
Home Entertainment Guide: May 2023
Karlovy Vary to Honor Russell Crowe
Airwaves: The Top 40 Beauty of the Air Soundtrack
The Real Deal: Tom Sizemore (1961-2023)
Book Excerpt: The Northman: A Call to the Gods by Simon Abrams
William Hurt: 1950-2022
Home Entertainment Guide: February 2022
Douglas Trumbull: 1942-2022
24 Great Performances of 2021
Home Entertainment Guide: December 2021, New Releases
Overdue Oscars: 10 Directors Looking for Their First Academy Award
Overdue Oscars: The 2021 Actors Looking for Their First Academy Awards
The Films That Could Shake Up the Oscar Race
Home Entertainment Guide: October 2021
A Preview of the 57th Chicago International Film Festival
57th Chicago International Film Festival Announces Full Schedule; Wes Anderson’s The French Dispatch to Open
The Films of Cocaine Noir
Book Review: Underexposed! The 50 Greatest Movies Never Made Presents Fascinating Alternate History
Sony’s Returnal is the First Must-Own PS5 Game
Breaking In: On the 40th Anniversary of Tangerine Dream’s Thief Score
SXSW 2021: Delia Derbyshire: The Myths and Legendary Tapes, Alien On Stage, The Spine of Night
The Bonus Situation: Yaphet Kotto, 1939-2021
SXSW 2021: 12 Films We Can’t Wait to See
The 2020 Frontrunners for Best Picture
CBS’s Clarice Dilutes the Sprawling Strangeness of Its Source
Bright Wall/Dark Room October 2020: I’m Happy To Disappoint You: A Gen X Girl’s Undying Love for Ellen Ripley by Kali White VanBaale
How the Next Oscars Could Mirror 1997
HBO Max’s Raised by Wolves is Original Sci-Fi at Its Most Polarizing
Why Aliens is Even Better Than Alien
Home Entertainment Guide: June 25, 2020
‘It’s Not Your Fault’: On Hanging Out and Healing in Good Will Hunting
The Heart Beats Differently When You’re in Character: Connie Nielsen on Inheritance
Ebert Fellows in Quarantine: Good Morning, World
The 4-Star Films of 2019
The Lost Souls of Joaquin Phoenix
Thumbnails 9/23/19
30 Minutes on: “Alien”
30 Minutes On: “Prometheus”
Someone to Trust, Something to Prove: The Films of Leonardo DiCaprio
Mysterious Traveller: Rutger Hauer, 1944-2019
Thumbnails 7/2/19
Happy Birthday, Ripley: Alien at 40
The Unloved, Part 65: Orphan
Home Entertainment Consumer Guide: April 25, 2019
Chicago Critics Film Festival Announces Full Schedule, Special Guests
