A Prairie Home Companion
Directed by
Robert Altman
Robert Altman
Robert Altman Movie Reviews
A Prairie Home Companion
The Company
Directed by
Gosford Park
Directed by
Dr. T & The Women
Directed by
Cookie’s Fortune
Directed by
The Gingerbread Man
Directed by
Afterglow
Produced by
Kansas City
Produced and Directed by
Ready To Wear (Prêt-à-Porter)
Produced and Directed by
Short Cuts
Directed by
The Player
Directed by
Vincent & Theo
Directed by
Beyond Therapy
Directed by
Fool For Love
Directed by
Popeye
Directed by
A Perfect Couple
Directed and produced by
Quintet
Directed by
3 Women
Written, directed and produced by
The Late Show
Produced by
Nashville
Directed and produced by
Blog Posts That Mention Robert Altman
Robert Altman’s Lost Classics Finally on Blu-ray
I miss Robert Altman so much it hurts
Robert Altman (1925-2006): Moments
Robert Altman (1925 – 2006): His dangerous angel remembers
Robert Altman invents his life as it goes along
‘Vincent’ nudges director Robert Altman into ’90s
Interview with Robert Altman (1980)
The “Health” of Robert Altman
Interview with Robert Altman
Interview: Robert Altman, “Wedding” Photographer
Something Lasting and Unforgettable: Robert Duvall (1931-2026)
Ebertfest 2024 Announces Full Lineup, With Guests Including Eric Roberts, Mariel Hemingway, Larry Karaszewski, and More
The True Triumph of Robert Downey Jr.’s Second Act
Robert Evans: 1930-2019
Robert Duvall: “Napalm, son. Nothing else in the world smells like that”
The Altman connection?
Reviewing Altman
Altman: Life beyond the frame
Altman’s Dangerous Woman Speaks
String of Pearl: The Lady of Altman’s “Nashville”
Ebert’s Altman Home Companion
Interview with Robert Duvall & Francis Coppola
Altman: Would you go to a movie that was hailed as a masterpiece?
Josh Larsen on the Return of Cinema Interruptus
30 Minutes On: “Nashville”
Home Entertainment Consumer Guide: May 26, 2016
100 Great Moments in the Movies
Susannah York, 1939-2011
Outguess Ebert on the Oscars
Kubrick and the cosmic zoom
Indie Spirit Awards: Good news & bad news
Johnie’s Broiler, RIP
The Double-Best of the Year
Euphoria in a matter of seconds
The Favoritest Movies (or Everybody Loves Lieblingsfilme)
Griffin Mill and ‘The Return of the Player’
László Kovács: In Memory
More sex, please. We’re American.
Faces in the crowd: Here’s looking at you, Nashville
Opening Shots update & lexicon
Zweiundzwanzig: Meine 22 beliebtesten Filme, 2000-2009 (Best o’ Decade — UPDATE!)
Oh dear, who’s killed film criticism this week?
Up With Contempt!
Pearl of the South: A tale of two reviews
My scene with Kristofferson
Young Haven Hamilton: A Poem by Henry Gibson
Close-Ups: A free-association dream sequence
A-C-T-I-N-G
Opening Shots: The Player
Eastwood, now and Hereafter
The color of blood: A study in scarlet
Children of…?
The Rest is Noise
The 100 Greatest Directors of… what?
Ebert on the meaning of movies and criticism
’50 Lost Movie Classics’
Opening Shots: ‘Thieves Like Us’
“Train Dreams” Wins Big at the 2026 Independent Spirit Awards
Lightning in a Bottle: Angus MacLachlan on “A Little Prayer”
The 17 Best Movies About Radio, Ranked
It’s A Process: Kelly Reichardt on “The Mastermind” and Josh O’Connor’s Timeless Mug
The Best TV of 2025 (So Far)
“Cookie’s Fortune”: A Little Southern Comedy
SXSW Film Festival 2025: One More Shot, Mermaid, Sweetness
Breakfast Is Served—Again: Alan Rudolph on the reissue of “Breakfast of Champions”
The World Isn’t As Funny Now: Teri Garr (1944-2024)
“Risky Business” Remains One of the Most Daring Films of the ’80s
I’ve Got A Way With Young People: 25 Years of Dick
Shelley Duvall’s Five Best Performances
Transplendent: Shelley Duvall (1949-2024)
“This Is The Life, Isn’t It?” Martin Mull: 1943-2024
The Legacy of David Bordwell; or, The Memorial Service as Network Narrative
Part of the Solution: Matthew Modine on Acting, Empathy, and Hard Miles
Wagner Moura Is Still Holding On To Hope
The 10 Best Movies Made for Under $50,000
Home Entertainment Guide: February 2024
Short Films in Focus: Big Touch
Their Show Was the Gateway: Matt Singer on His New Book, Opposable Thumbs: How Siskel & Ebert Changed Movies Forever
Iron Lungs and Overwhelming Charisma: Michael Gambon (1940-2023)
Magnolia: One Day in the Valley
Home Entertainment Guide: June 2023
Tapping Into the Infinite: Alexandre O. Philippe on Lynch/Oz
A Piece of His Fire: Harry Belafonte (1927-2023)
The Consummate Collaborator: Bill Butler (1921-2023)
NYFF 2022: White Noise, Showing Up, Triangle of Sadness
Louise Fletcher (1934-2022)
Growth in Discomfort: Sterling K. Brown and Regina Hall on Honk for Jesus. Save Your Soul.
James Caan: 1940-2022
Bright Wall/Dark Room June 2022: Most Wonderful by Nathaniel Missildine
The American Dream, Period: Philip Baker Hall (1931-2022)
7 Movies to Watch on the 50th Anniversary of Watergate
Cannes 2022: Triangle of Sadness, R.M.N., Three Thousand Years of Longing
He Made Everything Better: Fred Ward (1942-2022)
Cannes Official Selection Line-Up Overview with Digressions You Won’t Find Anywhere Else
The 2022 Film Independent Spirit Awards Honored Acclaimed Films Overlooked by the Academy
A Fearless Critic: Michael Wilmington (1946-2022)
The Mystery Was the Point: On the Life of Dean Stockwell (1936-2021)
Home Entertainment Guide: September 2021
Daughters of the Dust to be Presented by Chaz Ebert as Part of the Gene Siskel Film Center’s Chicago Favorites Series
