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Festivals & Awards
Sundance 2021: How It Ends, Mother Schmuckers
A review of two comedies that premiered Friday night at the virtual Sundance Film Festival.
A review of two comedies that premiered Friday night at the virtual Sundance Film Festival.
Writer/director/star/lyricist Zoe Lister-Jones talks about her new film, "Band Aid."
Marie writes: Not everything is what is seems...(Click images to enlarge.)
Yes, but is it Art? Marcell Duchamp's famous "Fountain" aka urinal
Marie writes: Ever since he was a boy, photographer John Hallmén has been fascinated by insects. And he's become well-known for photographing the creatures he finds in the Nackareservatet nature reserve not far from his home in Stockholm, Sweden. Hallmén uses various methods to capture his subjects and the results are remarkable. Bugs can be creepy, to be sure, but they can also be astonishingly beautiful...
Blue Damsel Fly [click to enlarge photos]
Scroll down for my earlier entries.
The first five Sundance entries I've seen are the kinds of film the festival exists to showcase. It is possible that many of them won't ever open in most of the places you readers live, but you've impressed me with your resourcefulness in finding them anyway (and no, I don't mean piracy). You guys demonstrate that if you want to find a movie badly enough, you often can.
One of them, "Homewrecker," is for rent right now via YouTube, in keeping with the festival's Reinvention/Rebirth/Renewal and its embrace of new distribution channels such as the net and regional art cinemas.
That one and "Armless" are playing in the new Sundance section named NEXT, which specializes in movies with "low to no budgets." The guidelines specify budgets below $500,000, and both of these look closer to half a million than to "no."