
The True Triumph of Robert Downey Jr.’s Second Act
Favored to win an Oscar for Oppenheimer, the actor is poised to cement one of Hollywood’s greatest comeback stories—which, back when he was battling addiction, didn’t seem possible.
Favored to win an Oscar for Oppenheimer, the actor is poised to cement one of Hollywood’s greatest comeback stories—which, back when he was battling addiction, didn’t seem possible.
A stellar year in cinema means that not every worthy film got recognized with nominations. But just because the Academy overlooked these movies doesn’t mean you should too.
When the Oscar-winning blockbuster opened in 2012, many mocked the actor’s singing. Now that the film is getting a re-release, maybe it’s time to change our tune.
Deemed a commercial disappointment at the time, Christopher Nolan’s time-bending 2020 thriller isn’t as well-regarded as many of his other films. Four years later, with a splashy re-release on the horizon, we talk to five diehard fans who expressed their passion for Tenet loud and clear on the internet.
From On Golden Pond to the recent Bleeding Love, a family drama can be more affecting when it features actual dads and their children. We look at the best and the worst of this niche genre.
Now streaming on Netflix after years of being hard to find, the pop singer’s infamous 2002 film remains hokey and cheesy. So why does it play differently today?
On this year’s Oscar-nominated shorts.
RogerEbert.com Literary Editor Matt Fagerholm bids farewell while celebrating his tenth anniversary at the site.
From Bob Dylan to the Black Woodstock, here are the concert films and behind-the-scenes portraits that go to 11.
A feature on the savvy media management of Dakota Johnson.
Some off-the-radar romantic movies for you this week.
An excerpt from the new book by the great Odie Henderson.
John Patrick Shanley, who won an Oscar for writing “Moonstruck,” talks about working with the film’s director, the late Norman Jewison
An essay by Sarah Welch-Larson about Showing Up, excerpted from the January 2024 edition of online magazine Bright Wall/Dark Room.
An essay about how the experiences of teachers were memorably portrayed on film in 2023.
A look back at Coppola’s underrated musical, returning this week in a restored re-release.
A reappreciation of one of Bergman’s movies that hasn’t received as much attention as it should.
The first essay in a new series about where movies are going.
A look back at the power and sustained relevance of Steven Spielberg’s Oscar winner.