
Saved! at 20: Religious Satire and the Millennial Generation
On the teen religious comedy and its impact on a generation of faith-frazzled millennials.
On the teen religious comedy and its impact on a generation of faith-frazzled millennials.
The hip arthouse distributor has claimed the top prize at the last five Cannes Film Festivals. In honor of “Anora,” we rank them all, from very good to all-time classics.
Daniel Kaluuya may have won an Oscar for Judas and the Black Messiah, but it feels even timelier now than when it came out as protests rage across the country.
An excerpt from a great new book by Alonso Duralde.
Inclusivity isn’t new in romantic drama, even if Bridgerton has made it a big part of the conversation again.
An announcement of new team members at RogerEbert.com.
Tangible warmth is a fundamental component of many of Hamaguchi’s most notable works.
Unavailable for decades and loathed by the band, this 1970 film is finally getting its due—and paints the Fab Four’s final days in poignant, tense tones.
A new ad for Apple says the quiet part out loud: the tech industry hates artists and wants to destroy their livelihood
A book excerpt from contributor Glenn Kenny’s new book on the making of Brian De Palma’s Scarface.
Why Palpatine, the eventual Emperor of the galaxy in Star Wars, is one of the most devious villains ever.
With The Fall Guy launching this summer’s glut of event movies, we look back at the finest films to get the warm-weather season going.
The directors of 21 Jump Street and The Lego Movie masterminded the sort of hip, irreverent satirical action-comedy that paved the way for the hit Ryan Gosling film
A preview of Film Forum’s upcoming retrospective on the pioneer of early Black cinema, whose influence can be seen in the careers of Tyler Perry and Spike Lee.
The upcoming retrospective at MOMI and the Japan Society shines a light on the Japanese filmmaker’s prolific, contemplative works.
An interview with the director of the intimate and desire-filled Lithuanian film Slow about presenting a complex portrayal of asexuality.
In honor of its 25th anniversary re-release, we look at the George Lucas movie’s greatest legacy: paving the way for studios to extend their aging franchises by telling origin stories.
Robert Eggers’ third film answers the question, “What would Conan the Barbarian look like if Conan himself directed it?”
We look back at movies like Boy Kills World whose directors decided to keep tinkering after their debut—for better or worse.
Alexander Payne’s Election turns 25 this year. Its legacy has been complicated.