A consistently easy watch, only feeling hollow in retrospect. It moves quickly enough that you don’t really notice it’s not nutritionally satisfying. Sometimes that doesn’t matter.
There is no point to CBS’s utterly stale procedural “Watson.”
It feels like the action is more severe, and the stakes in “The Night Agent” have also been raised.
Ultimately, this new attempt at a conspiracy thriller is myopically preoccupied with appearing smarter than it is.
The core four actors feel like the only people not sleeping through these scenes.
It is entirely possible that both actors on “On Call” are actually talented; they just don’t have much to do.
A manipulative tale of survival, as tasteless as it is hollow.
“Shifting Gears” won me over easily.
I still greatly admire “Severance” just for existing, but it’s a show weighed down by its own ideas for the first half of this season, a program that has lost a step by trying to do too much.
“The Pitt” is a smart show that values character detail and intricate medical science that sometimes succumbs to doses of melodrama that can be forgiven for everything that it does very well.
FOX’s “Going Dutch” is the first comedy misfire of 2025.
A review of Sony’s sprawling new box set of 21 films from the Golden Age master’s time at Columbia Pictuers.
“Squid Game” is back and ready for some new games.
A wry, effervescent series that’s laser-focused on the flightiness of modern millennial dating life.
Filmmakers Laura Mora and Alex García López clearly have great reverence for the work, and perhaps it needs this literal translation to screen.
A show that brushes past Gerard Butler’s corn-fed actioner conceit and does something alternatingly innovative and tedious with it.
Margo Martindale stars in a very “Fargo”-esque tale of criminals and maple syrup on Prime Video.
A TV review of the new DCU show, the launch of the universe overseen by James Gunn.
