Apple TV+’s “Murderbot” Functions Along Mission Parameters, But Needs To Work Out Some Bugs
Despite the elegant production design and admirable effects, “Murderbot” feels like a sci-fi comedy still searching for identity.
Despite the elegant production design and admirable effects, “Murderbot” feels like a sci-fi comedy still searching for identity.
Despite the occasional unevenness, it’s one of the most promising comedies to hit television in recent memory.
The sketches that work best do so in spite of the scatology, not because of it.
Josh Holloway is back in a fun throwback show that works when it remembers to be escapism.
Season 2 continues the show’s episodic tradition in fine form, while finding a few corners in which to shake up Charlie’s world.
What to watch on Netflix in May 2025, including Dawn of the Dead, Ali, The Sugarland Express, Smile, and Heart Eyes.
The final season honors “You’s” women, rehashing the objects of Joe’s many ill-fated romances.
From its vibrant opening credits to its meticulously crafted costume design, the series feels tailor-made to be everyone’s new obsession.
It is what “Star Wars” (and all sci-fi TV) can be at its very peak.
Ultimately, “Sherlock & Daughter” doesn’t give us new ways to see either of its titular characters.
A biting, insightful, and clever social animated satire, perfect for Youssef’s fanbase.
As gasp-inducingly hilarious as it is strangely poignant.
David Oyelowo’s new comedy is off to a good start but has some work to do to improve in season two.
“North of North” will draw you in and hold you close.
A good season of Black Mirror dropped today! 2025 keeps surprising.
“The Last of Us” succeeded as a game franchise because it trusted the emotional intelligence of gamers, and the show does the same for TV viewers.
Still the best comedy on television.
The pressure of life-or-death stakes, paired with the unbeatable chemistry of each and every cast member, makes this series feel like lightning in a bottle.
Shankar’s take is a gleefully violent, high-octane action adaptation with a punk edge.
A tragic, albeit shallow, examination of a class that is at war with itself.