Features
A New Skin: Losing Control of Your Body in the 2020s
In Crimes of the Future, Infinity Pool, Immaculate, and The First Omen, the fear and anxiety of losing control feels more pertinent and terrifying than ever.
In Crimes of the Future, Infinity Pool, Immaculate, and The First Omen, the fear and anxiety of losing control feels more pertinent and terrifying than ever.
There was originally supposed to be one more scene before the end of Unforgiven, and by cutting it, Clint Eastwood cemented the film's masterpiece status
The streaming platform’s selection of Clouds of Sils Maria, Personal Shopper and Certain Women pinpoints the crucial moment the Twilight star became a formidable indie force.
The settlement of a lawsuit against the creators of an unauthorized AI ripoff of George Carlin offers a glimmer of hope for artists sick of being exploited by tech companies
Our series on the future of film gets to how the theatrical experience has changed through an interview with Fathom Events CEO Ray Nutt.
Roger Ebert transitioned 11 years ago today. We are looking back at eleven of his reviews from the year 2011.
Roger Ebert's Top 10 lists each year always contained a few surprising picks that said a lot about what he valued in moviegoing and criticism.
Vera Drew’s subversive superhero satire is just the latest movie that had to navigate a sea of lawyers to get to the big screen.
The director of Poetry and Burning gets a retrospective at the Metrograph starting this weekend. Don't miss it.
The pandemic robbed a lot of good movies of a chance to be seen in theaters. Why not give them another chance?