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Festivals & Awards
Cannes 2024: Megalopolis
Francis Ford Coppola's ambitious, long-awaited opus is his "Chi-raq."
Robert Daniels is an Associate Editor at RogerEbert.com. Based in Chicago, he is a member of the Chicago Film Critics Association (CFCA) and Critics Choice Association (CCA) and regularly contributes to the New York Times, IndieWire, and Screen Daily. He has covered film festivals ranging from Cannes to Sundance to Toronto. He has also written for the Criterion Collection, the Los Angeles Times, and Rolling Stone about Black American pop culture and issues of representation.
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Francis Ford Coppola's ambitious, long-awaited opus is his "Chi-raq."
A preview of Film Forum's upcoming retrospective on the pioneer of early Black cinema, whose influence can be seen in the careers of Tyler Perry and Spike Lee.
David and Nathan Zellner have always made movies about outsiders, but their latest goes to new extremes. They sat down with Robert Daniels in Berlin to talk about Sasquatch Sunset, one of the most unusual and unexpectedly moving films you'll…
Twenty years ago, Tom Hanks starred in what is widely considered the Coen brothers worst film. It's a good time to look back at how The Ladykillers (as well as two other films released that year) fits into the star's…
Five years ago, Jordan Peele unleashed his follow-up to the Oscar-winning Get Out, and audiences tripped over each other to unpack its many meanings. The film not only redefined the way we approach puzzle films, but how we should look…
A recap of one of the essential documentary film festivals of the year.
On three docs from this year's True/False.
On three films from this year's True/False Film Festival.
Three films from the Main Competition and Panorama section of Berlin.
On three films from Berlinale, including the first film from Abderrahmane Sissako since "Timbuktu."